Idle Eye 135 : The Thing About Charlie

Have a look at the mast drawing above. That’s me, that is. Drunk, scribbling unrecognisable nonsense as per, wide-eyed & tousled, inappropriately attired for a man of my age and surrounded by semi-mythical beasts which may or may not represent the muses I wrestle with on a weekly basis. All contained in one simple statement with the site name teetering on the verge of collapse above me. How very apposite. When I briefed Dan back in 2011, I knew I wanted a sketch rather than a designed header with slick typography, because the best ones condense all the relevant information into a single visual hit. No frills, no waste, and therein lies the power.

I bring this up for two reasons: Firstly, and primarily, because current news events that cannot have escaped anyone’s attention have brought it into sharp focus. And whilst I won’t be drawn into spouting cause and effect rhetoric (this is not the place), it does demonstrate just how incisive the pen can be. Satire, by its very nature, apes and distorts its targets to drive the point home, which is why it sits so (un)comfortably with the cartoonist. Perhaps photography is too ‘real’ to get under the skin in quite the same way. Charlie Hebdo knows this all too well, hence their medium of choice. It’s quick, brutal and it takes no prisoners.

On the exact same day of the attacks in Paris, I was with six artists (amongst others) in a wine bar in central London, revitalising an idea that has been in limbo for a year or two now. It was also my birthday, and fuelled by copious quantities of Hungarian Pinot Noir (the kind that strengthens the resolve the more of it you have), I dared to ask for contributions towards an illustrated book of this here blog. And, no doubt for the same reasons, they were granted. In less than a week, the number of pledges has swelled to sixteen and they’re still coming in, brilliant, disparate and from all over the planet. I am simultaneously humbled and terrified.

As outlined in the first paragraph, in my head I’ve always seen the book as illustrated. Anyone who has ever read the bilge I come up with every week will interpret it differently, and what better way to represent that than a bunch of artists doing their thing. I pray the fact that I am the common glue does not put them off any. My default setting when things start going well is to run for the hills and hide until it’s all over, but not this time, not this time. With an apolitical nod to Charlie, this time I’ll commit. If you believe in something strongly enough, show some balls. And show them I shall.

I will, of course, let you know as and when things start to happen. But, in the meantime, there’s stacks to moan about and I’ve lost a bloody week now. Thanks for that.

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