Idle Eye 4 : The Rebuff

I’m sitting in the soon to be opened Moroccan Room in Idle Hour Barons Court, waiting for Nibs to show up and deliver his verdict on IE4, a witty yet savage take on the perils of middle age. It’s a blinder, of course, and I’m expecting voluminous gratitude and hopefully a free pint of Harveys. All around me are tasteful hints that I am in a better world, where I can relax after work with my friends/business colleagues on a pastel pouf or two, sipping on a tension-busting cocktail or two and let the evening wind itself down slowly to its Tangiers-inspired conclusion. Nibs, however, is late. Not that late, but late enough for me to be side-tracked by my admittedly fabulous imagination:

I’m snuggled up over there, on the crimson sofa beneath the clock, with someone you’ve just read about in the Metro who earns more than you do. She caresses my face gently and throws back her hair in a devil-may-care stylee. And she actually thinks I’m really funny: That’s why she’s laughing, see? Then, slowly, but quite deliberately, she…

‘Alright Bro?’ Balls! It’s Nibs. Blasting away at the cobwebs of my fantasies just like he used to in our shared bedroom in Godalming.

‘Ahem. Nice one, Bro.’ I deliberate on the correct level of small talk required before I can fish for compliments but he goes in for the kill before I have a chance to get my house in order.

‘It’s the blog, Bro. Big no no. Sorry, man, don’t think we can use it. Way off base.’

Way off base? I have to counter with something but I’m reeling from the patois. Does he think I work for Radio 1? Or worse still Channel 5? I decide to appeal to his sense of reason by going for the artistic integrity approach, something he knows little about and therefore will give me the upper hand:

‘I know where you’re coming from, Bro. It’s just, well, I think we have to allow our character to have a bit of breathing space outside the pub, no? Otherwise we get stuck in a product placement kind of thing.’ I’m thinking Harrison Ford in Witness, reluctantly reciting ‘Honey, that’s great cawfee’ and inadvertently launching a host of vulgar imitators.

‘Yeah, I know. But I need you to big up the Moroccan room. The punters don’t want to know about you getting old and fat. And anyway, I don’t get it.’

His beard twinkles in the rooms’ candlelit glow (ideal, incidentally, for Christmas parties and functions) and I realise this boy isn’t quite the pushover he was when I made him jump off the roof with an Action Man parachute in Marbella. And it occurs to me contractually that this soft, sumptuous space, with its metallic fire surround, original 50s portraits and subtly decadent aura would lend itself perfectly to any sophisticated West London get-together. But I don’t tell him that.

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