Idle Eye 12 : The Bruises (Fah La La La La, La La La Lah)

I woke up this morning with two large bruises on my person. The first, a striking black bloomer, was nestling obstreperously on my right knee, and the other, an iridescent slow-burner like Christmas lights seen through an orange segment, sat resplendent on my left forearm. Now, I know for a fact that these babies weren’t there last night because I checked. It’s what you do from time to time when the body begins to rebel. So where did they come from? And what could they possibly want? At first I presumed they were oncoming signs of seasonal ailments suffered almost exclusively by the self-employed, but I was otherwise in good health and indeed had just carried a case and a half of holiday cheer in from the car. Perhaps it was the work of a rogue banker, splashing a small portion of his/her bonus on a voodoo curse in revenge for last weeks post. Unlikely, requires imagination. Bewildered, I called out for help:

Ursula:  What now? I’m making pies.

Me:  I’ve got two weird bruises. I think you should come and look.

Ursula:  Let me get this straight. There’s two shopping days to go, I’m cooking for eight, the flat is a tip and you want me to look at your bruises?

Me:  Something like that, yes.

In a second she was at my side, eager to discover something fresh and exciting about her partner. I peeled up the leg of my pyjama bottoms to reveal Exhibit A, glistening enthusiastically in the raking sunlight.

Ursula:  Is that it?

Me:  No, there’s another one.

I rolled up my sleeve with pride to the location where Exhibit B was vying for position. Ursula shot me a tender look that could have knocked small birds from trees and left, but at that very moment something astonishing happened. The darker bruise appeared to pulsate as I watched it, and as I drew closer I could see there was movement inside, the movement of what seemed like tiny people in what seemed to be a tiny pub, clearly enjoying themselves and raising their tiny glasses towards the huge figure looming above. “Merry Christmas from the Idle Hour Barons Court”, they cried in unison before clanking their respective tipples together. Squinting harder, I could just make out a miniscule bearded man in a Miami Vice jacket and penny loafers embracing another absurdly small representative from the Jägermeister company. In the background I spotted a lavish North African drinking space (ideal for pint-sized parties, by the way) and off in the kitchens an award-winning chef called Tony was creating a fabulous meal for everyone present.

Me:  (urgently) Urs! URS!!!

Ursula:  (in distance) **** off!

I was on the cusp of leaping from my bed when I noticed the second bruise. Not to be outdone, it was ebbing and flowing like a seasick calzone on a waterbed. I took a closer look out of fairness, and again I saw a myriad of microscopic pub-faring folk in mid-carousal just underneath the surface wound, only this time they were crowded around a log fire, being served what looked like mulled wine from a man wearing a somewhat vulgar Miami Vice jacket and Penny Loafers. At first they were blissfully unaware of my ugly moon face peering down at them, but eventually someone shouted and pointed:

Tiny Reveller:  (to room) There appears to be an enormous bloke watching us from above.

Me:  Fear not, small beer-swilling man, I mean you no harm.

Tiny Reveller:  But how are we to know this, vast crater-faced monster? We are here to celebrate what we call Christmas at the Idle Hour Barnes with our favourite award-winning landlord Nibs, Da Mudda and his brother. Could you come back another time?

Me:  His brother? Are you sure?

Tiny Reveller:  Of course I’m sure! Would you like to buy him a drink?

Me:  You know, I think I would, drunken gnome. Please send him forth.

In what felt like slow motion but actually was slow motion, I watched as a perfect replica of myself in 1/75 scale reached up and asked me for money. This was too much: I leapt back, banging my head against the Louis XIV mahogany headboard and instantly knocked myself out.

I cannot say how long I was gone for, but when I awoke I immediately noticed the bruises had disappeared. Oh, and that I’d pissed myself. Again. Looking around me I became aware that it was Christmas Day and my entire family had gathered around to celebrate the occasion. Da Mudda was smiling and pretending to like Bing Crosby, Nibs was smiling and pretending to like Bing Crosby and Ursula was going at my crotch with a J-cloth. And way, way off in the distance, I saw my own reflection. It was drinking an oversized glass of Jägermeister and giving me the thumbs up. And smiling.

Idle Eye 4 : The Rebuff

I’m sitting in the soon to be opened Moroccan Room in Idle Hour Barons Court, waiting for Nibs to show up and deliver his verdict on IE4, a witty yet savage take on the perils of middle age. It’s a blinder, of course, and I’m expecting voluminous gratitude and hopefully a free pint of Harveys. All around me are tasteful hints that I am in a better world, where I can relax after work with my friends/business colleagues on a pastel pouf or two, sipping on a tension-busting cocktail or two and let the evening wind itself down slowly to its Tangiers-inspired conclusion. Nibs, however, is late. Not that late, but late enough for me to be side-tracked by my admittedly fabulous imagination:

I’m snuggled up over there, on the crimson sofa beneath the clock, with someone you’ve just read about in the Metro who earns more than you do. She caresses my face gently and throws back her hair in a devil-may-care stylee. And she actually thinks I’m really funny: That’s why she’s laughing, see? Then, slowly, but quite deliberately, she…

‘Alright Bro?’ Balls! It’s Nibs. Blasting away at the cobwebs of my fantasies just like he used to in our shared bedroom in Godalming.

‘Ahem. Nice one, Bro.’ I deliberate on the correct level of small talk required before I can fish for compliments but he goes in for the kill before I have a chance to get my house in order.

‘It’s the blog, Bro. Big no no. Sorry, man, don’t think we can use it. Way off base.’

Way off base? I have to counter with something but I’m reeling from the patois. Does he think I work for Radio 1? Or worse still Channel 5? I decide to appeal to his sense of reason by going for the artistic integrity approach, something he knows little about and therefore will give me the upper hand:

‘I know where you’re coming from, Bro. It’s just, well, I think we have to allow our character to have a bit of breathing space outside the pub, no? Otherwise we get stuck in a product placement kind of thing.’ I’m thinking Harrison Ford in Witness, reluctantly reciting ‘Honey, that’s great cawfee’ and inadvertently launching a host of vulgar imitators.

‘Yeah, I know. But I need you to big up the Moroccan room. The punters don’t want to know about you getting old and fat. And anyway, I don’t get it.’

His beard twinkles in the rooms’ candlelit glow (ideal, incidentally, for Christmas parties and functions) and I realise this boy isn’t quite the pushover he was when I made him jump off the roof with an Action Man parachute in Marbella. And it occurs to me contractually that this soft, sumptuous space, with its metallic fire surround, original 50s portraits and subtly decadent aura would lend itself perfectly to any sophisticated West London get-together. But I don’t tell him that.