Here’s No.2. We had a hoot doing this one, as you’ll see when I post the outtakes videos. Coming soon x
https://theidleeye.wordpress.com/2014/04/24/idle-eye-110-the-lunar-twits-have-taken-over-the-asylum/
Here’s No.2. We had a hoot doing this one, as you’ll see when I post the outtakes videos. Coming soon x
https://theidleeye.wordpress.com/2014/04/24/idle-eye-110-the-lunar-twits-have-taken-over-the-asylum/
Idle Eye audio will appear here until I’ve stopped dicking around with the new website and taken it live. We’ll aim to put up a new one every fortnight, maybe more. Who knows? Anyway, let’s kick it all off with Wolf of West Norwood, an oldie but goodie. Let us know what you think. And here are some written credits in case you miss them at the end: Rupert narrated it, Donald produced it (& composed the music) and I wrote it. Very straightforward.
https://theidleeye.wordpress.com/2014/01/28/idle-eye-100-the-wolf-of-west-norwood/
Last night, Rupert, Donald and I were up into the small hours recording the audio version of what you are reading here. Not this exact one, obvs, but time will come when whatever piffle I have flying about inside my head right now will also be read out by a voice that isn’t my own, and Donald’s technical know-how will make it sound like it is. This bizarre parallax should be second nature to any writer familiar with producing material for radio or television, but I’m pretty weirded out by it, to be honest. Because the overwhelming temptation is to take the piss.
Not that I would, mind. But just knowing I have the power to make Rupert say something completely inappropriate whenever I so fancy is curiously erotic. For example, I could start him off on a paragraph of unnecessarily verbose waffle, as is my wont, and then stick the word ‘turtle’ in there for no apparent reason. And he’d have to say it! See? ‘Cos it’s all about the integrity of the piece and you can’t dick about with that. Even if the piece has no integrity whatsoever, like this one. There’s also endless fun to be had with the layering system: There’s me (bottom), writing this as Idle Eye (middle), being read out by Rupert (top) and, if truth be told, you’ve got no idea which one you can trust, have you? If any. They’re all messing with your head, right? And which one do you point the finger at when you’ve had enough?
Well, seeing as we’ve built an understanding over the years, perhaps I can be of some assistance. If you’re listening now, step away for a moment and think on this: That smooth-as-silk, candy-coated baritone clearly isn’t mine, is it? We established that earlier. He is essentially a charlatan, inhabiting the skin inside which I exist for fiscal remuneration or sexual favours. The very fact that he has told you this just proves my point. And if he baulks, I would caution you to be suspicious. Because it is highly likely I told him to do so, despite whatever childish nonsense he may come up with to prove otherwise.
If you are reading this, however, you can relax somewhat. Safe in the knowledge that you are the cognoscenti (with one less layer of remove to circumnavigate), you can go about your day in confidence. Because you’ve sided with the good guy: The writer. For it’s all very well for them clever bastards to appear out of nowhere and take the credit for all the graft we’ve put in, but this time I’m fighting back. If I was spewing out this crap in times past, I would challenge him to a duel: Pistols at dawn, you know the drill. But we are living through an era in which all manner of dross is king, and I must cave if I am to survive. Just remember who told you first.
Good Lord! Have a look at the mast there. Turns out we’ve managed to get through seventy (SEVEN OH) versions of this literary piffle together. And it got me to thinking, as it does when you’re running out of ideas, that just maybe it would be a bit of fun to do a quick post about…wait for it…the 1970s. Obviously I will have to tie this concept in with the pub, but between you & me I think I can swing it: I’ll just say something about the price of a pint back then (probably about 50p), then have a good old moan about inflation, the Tories and the grand old summer of 76, when you could fry an egg on the pavement and Terry Scott (off Terry and June) pushed me into the swimming pool with his face covered in meringue and scared the living shit out of me for the rest of my years. It’s a long shot, but I think Nibs will run with it ‘cos he’s good like that.
It’s funny. I was having an ale with me ‘ole mate Donald (off Julian Cope) just now, asking him which peeps he remembered most from that time. And both of us came up with pretty much all of the Yewtree candidates. Admittedly we’re both diehard musos, and our reference points were probably the DJ’s that allowed us a path to the songs that would change our lives forever (currently residing at Her Majesty’s pleasure). But even as a soft as shite, lily-livered Southern pansy, I still recall the blackouts when Nibs & I helped our mom dig about in the pantry for the Prices candle multipack as our stepfather crawled the walls upstairs, hurling abuse and worse at the Three Day Week whilst simultaneously sorting the eight track cartridges for his three hour journey in the Jensen the following morning: Walker Brothers, followed by Shirley Bassey, followed by Cleo Laine. And, if we were lucky, we’d get a pound to spend in his absence, half of which usually went on a chart-topper of choice and the other on premium smack, straight off the boats. Innocent times, innocent times…
But no other consumable can define the zeitgeist like a chocolate bar. Mars, Galaxy, Milky Way were just entry-level stellar signposts to the hard stuff. From here we got the Texan bar (sure was a mighty chew), and for misogynist hardcore chocoholics there was always the Yorkie, marketed at the Surrey stockbroker craving a bit of rough via the long-haul trucker. And let us not forget the aftershaves: Hi Karate, Old Spice, Blue Stratos, Bay Rhum, all of which I had purchased long before the fluff came, and the illusion that a socially backward pre-teen actually had a chance with a pneumatic bikini-clad babe had been shattered for good. But never mind that, I still had the lovely Farrah. Always Farrah. Isn’t that right, Charlie?