The evergreen L. Ron Hubbard is back in town, despite having died in January 1986. Dude!
‘Once more unto the breach, dear friends, once more’
Early doors post this week ‘cos I’ll be heading back to the undulating hills of Glastonbury tomorrow. Long-term readers of this stuff and nonsense may remember I reluctantly did something similar last year, hauled kicking and screaming into the furore by those who would not take no for an answer, and yet I came out relatively unscathed. Perhaps this time around the relentless assault of life will have conclusively exacted its toll, leaving me unable to manage much more than a couple of juniper-based sharpeners at dusk and a premature nosedown in whatever wigwam they have in mind for me. Or not. We shall see.
It hasn’t always been thus. There was a brief spell when I could gambol across the site, unfettered and nimble as a ballerina, drinking in the madness and whatever my tipple of choice was back then in equal measures. I would stay up all night, every night, insane with joy and totally beyond caring what was happening elsewhere. Music and adrenalin were my co-pilots, and when they were on board I owned the very core of those vast magnetic fields. You should have seen me, I was superb: I burned like magnesium, radiating like gamma and blistering in the sun like the Violent Femmes. Really, I did.
It didn’t last long though. When being grown-up became a thing instead of a distant concept, I gave in and learned the rules of the everyday. I did jobs I didn’t want to do. I went out with sensible people I didn’t really want to go out with. I feigned interest in all of the trappings of being an adult, when all I wanted to do was the polar opposite. I trod on a few toes along the way, which I’m not proud of but it happened. And then, a good decade after most regular folk are preparing for the final chapter, I decided to piss away whatever minuscule security I had mustered to date in favour of a much riskier, but ultimately more satisfying goal: to write. In an era when writers have less chance of staying afloat than ever. Because there are more writers than cockroaches these days.
This is what draws me back. Glastonbury, despite its inevitable nod to commerce, still represents the troubadour spirit. Anything seems possible here if you have a dream and the balls to see it through. And if it’s just an illusion, it is a magnificent one. Who cares who’s playing on the big stage? It matters not one jot. Someone in a tiny tent way out on the fringes has the potential to make an incalculable difference, and that’s what makes it special. That’s why I’m going in one last time. To suck at the marrow of a sprawling collective unconscious which can turn your life around on a sixpence. Even at its most desperate, outermost ebb.
It’s Glastonbury week again. Huzzah! So just to kick things off, here’s a timely reminder why people like me should stay indoors and do something more appropriate instead. Like reading the pink paper or fixing a lawnmower. Kim who?
Right. Three quotes in from the printers, time to do do some costings and make a film. Yes, a film. Apparently if you do a straight-to-camera pitch, people feel sorry for you and are more inclined to donate. Like on Facebook when they show you those wounded puppies with pleading eyes. So I’ll have a go at that then.
I didn’t really want to put up any of the artwork just yet, but these spreads are just too good not to give you a quick peak. Illustration here by the disgustingly talented DNA Factory, more to come when the campaign goes live. Looking like 17th July. There will be a launch party in SE London which everyone’s welcome to attend. Message me for cheap flights/hotels/personal peccadillo limitations etc… Or just to find out where it is.
Massive thanks to Ursula McLaughlin for getting these done x
Impending death kind of makes you get your skates on. All that time you spent dicking about doing nothing of consequence will eventually appear at your door tapping its watch. Which is no biggie if you happen to have chalked up some of the stuff you set out to achieve, but if, like me, you’ve tried and failed too often to even care about, you have to ask yourself two pretty searching questions:
Do I keep going, or do I shackle myself to the yoke of submission and admit defeat?
The death thing is quite a major pisser, but when you boil it back to basics it’s not actually life-threatening; just an expedient reminder for you to get off your arse and get on with it. If it bothers you, you can always hop over to deathclock.com (the internet’s friendly reminder that life is slipping away), where they kindly work out how long you’ve got until you are reclaimed by the Grim Reaper. I did briefly consider this, but thought better of it after browsing the search criteria and calculating for myself that I was already living on borrowed time.
I weighed it up. Yes, I could go back to a job that looks good on paper to those who don’t really understand what it entails, or load my bollocks back into the wheelbarrow of endeavour and run with it/them once again. To where there’s no safety net if things go a bit tits. Where the odds are stacked against you because you should have done it twenty years ago. Where the contenders are younger, media-savvy and hungry for that rapidly diminishing slice of the pie. And then, just as I was beginning to cave, someone introduced me to Jonathan Ames.
If ever an ageing, unpublished writer needed a tonic, it came then in the form of this man’s work. A self-deprecating, pushed alter-ego, doing (and penning) things most of us would ordinarily shun, in the tradition of the great American humourists but with a filthier edge, Ames was pushing all my buttons. The greater irony being that the exaggerated failure he casts himself as is, in reality, exactly who I am now. Although I too am writing as an exaggerated failure, and shall continue to do so despite any inconvenient impending success. It’s a headsmoker, make no mistake, but a glorious one nonetheless.
So where does that leave us? My newfound admiration for Mr Ames will almost certainly draw comparisons, the most apposite being that despite sharing a birth year, I am in South-East London writing drivel for 350 people and he is about to launch Blunt Talk (which, from the trailer, appears to be the sharpest comedy to come out of the States in decades) and is probably rather busy. But it is comforting to note that we have been singing from the same hymn sheet for quite a while. Independently, I swear.
Doubt, get thee behind me.
Bit of back story here. Not all that funny either, but at least it demonstrates we can pull something out of the bag if pushed.
Yes, we’re starting with No.3. The other two were a bit pants, to be honest, so I’ve left them on the Facebook page. If I were more business-like, I’d give you the frequency of updates here so you can set your watches. But that ain’t gonna happen. When I’ve learned how to use Final Cut Pro properly and I’m not pathetically grateful for the thing staying in synch, I’ll put some more up. But for now, here’s a taster of what we get up to in the studio. It’s more fun than it looks. By the way, I’m going to make the intro better next week. But not now. I’m pissed & we need the stats.