The Persians deliberately weave a flaw into the corner of the astonishingly beautiful rugs they create because they believe that only Allah is truly perfect, and it would be a bit of a slap in the face if they try to emulate him/her through their Earthly offerings. Readers, I am that rug: I got it wrong about Glastonbury (as I did with the Olympics and the once Scotch, then Brit, now re-Scotched Andy Murray). As a weathervane for the zeitgeist I can get seriously off-kilter sometimes and hands up, I’ve done it again. Not that I’m admitting it to those who dragged me there, kicking and screaming blue bloody murder to the permanent detriment of their weekend – Good Lord, no! Some things must remain between you and I, and I beg you to keep schtum on this one.
Despite the mud and the mucus, the filth and the fury, the long-drops and the long marches home, I reluctantly acquiesce that it was all reasonably acceptable. Being little more than a soldier ant in a ruthlessly efficient outdoor entertainment machine was, to be fair, somewhat daunting initially. And last time I frequented the place it was a squalid haunt of low-lives, drug dealers and hippies trying to locate my chakras. Particularly after bedtime, which it then seemed churlish to adhere to. However Glastonbury, like all things, has evolved.
Yes, it is vast and yes, it is seemingly commercial. But there are no Audi stalls here, attempting to flog you a luxury vehicle in the most inappropriate of places. No Costa, no McDonalds or Coke, miserably shoehorning their bullshit product in with anything popular they can access in order to maximise reach. For the most part (and I grant you, there are a few exceptions), the on-site businesses are small and endearingly homespun. You do not resent spending a couple of extra quid to keep these guys going. And this in itself would be enough. Perhaps a thumbs-up from this rusting ancient, best suited to keeping an eye on his portfolio in the pink paper, is not the best festival accolade out there. But it doesn’t matter, really it doesn’t.
If you fancy seeing out your ticket price in a hessian shack listening to ’70’s prog rock powered by punters on bicycles, then good luck to you: It’s there for the taking. Failing that, head off to Shangri-La when the main stages shut down and gurn the night away on substances for that authentic Hieronymus Bosch experience. Again, it’s your choice. The trick is knowing which buttons to push and which ones to let go of, and no-one really minds if you screw it up. It’s all part of the deal. Despite myself, being in a field with thousands of people yelling “ED…IS…DEAD!” at the Pixies felt curiously liberating. But if you think for a minute I’m going to let on now that I’m home, dream on…