Broken Biscuits No.4.

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Next up is Komedia. Now, everyone on the circuit knows that this is an important one, so if any of you Brighton (or environs) folk would care to part with a few quids and get stuck in, we’ll make it more than worth your while. I mean, look! We’ve got Jules Oliver for starters, who’s won more comedy awards than I’ve had hot dinners and is surreally obsessed with Concorde. The plane, not the venue. Natch. Also, James Cook is doing a turn: his astonishing career has spanned NEMO, IAMX, The Mighty Boosh and a string of spectacular solo albums. Thoughtful, political and above all, effortlessly catchy – not to be missed. And yay! Kate Tym‘s going to hightail it over from St Leonards to join us once again. Her Tampon Tax Poem at BB2 Hastings went through the roof on the IE Vimeo account; she is one seriously funny lady.

I was told recently that after seeing Dan Laidler‘s wonderful mini-series Windy’s Farm at BB3, a colleague woke up in the middle of the night in deep distress at poor Windy’s plight. So we’ll be showing them all over again. The cruelty of art, the cruelty of art.

Finally, I am delighted to announce that my old pal Nick Hollywood will be doing a DJ set with his 15 year old son Joss. The Brighton-based godfather of electro-swing himself alongside the next generation of home-grown talent. This is worth more than the price of admission alone, so please do the right thing. The link below is for online bookings, but you can also contact Komedia direct at the number on the flyer. Looking forward to seeing you there x

https://komediabrighton.ticketsolve.com/#/shows/873555772

Broken Biscuits No.3.

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Three under the belt now and it’s going from strength to strength. BB3 was fantastic! Gary From Leeds stepped up to the plate at the very last minute and was bloody hilarious; Marijne and Paul from Salad got back together for the first time in 18 years and belted out a set that had us all doubting it; Franck Alba and Nina Walsh’s beautifully subtle electronica was a joy to be immersed in, and Idle Eye was…pretty good, actually. And yes, we got hold of a projector somehow, so Dan Laidler’s Windy’s Farm had its second outing in public and went down a storm. If you don’t believe me, have a look at some of the edited highlights below. Thanks so much to everyone who came, to everyone who performed or helped out, and to all those who made a cash money donation. These are the things that help keep the arts going at a time when we need them the most. See you in Brighton x

IE Audio 27 : The Final Curtain

A certain curtain.

Idle Eye 187 : The Spanish Inquisition

In a desperate attempt to be liked (or at least accepted) by my peers, I recently acquired a 170g container of shop-bought guacamole. I had a vague notion that, on one of the very rare occasions somebody came to visit, it would be noted I have flamboyant, cosmopolitan taste and this, in turn, would open up channels of conversation/admiration hitherto denied me. Initially, the fluorescent green gloop didn’t appear all that promising, but after a little tweaking and decanting, I was able to approximate one of those food photographs you used to see in cookbooks of the 1970s, or off of the cardboard sleeve of a Vesta quick meal. So far, so good.

Anyway, I popped the concoction into the fridge, cling-wrapped to buggery, and went through my little black book. Who would be the lucky recipient, I wondered? From the dwindling gene pool of those still speaking to me, I decided that my mother was probably the safest bet. After all, she hadn’t seen me in a while and if I seriously cocked up, she’d break it to me gently like mothers do. Having said that, I knew she’d be suspicious if I casually asked her over for nibbles, as I still carry an official warning from the WHO. So I dressed it up a bit: I pretended I’d painted the kitchen in a new eco-friendly Farrow & Ball estate emulsion – Badger’s Backside, or something like that she could relate to – and waited for her to take the bait. It didn’t take long:

Mother:  What have you done?

Me:  Nothing.

Mother:  Bollocks!

Me:  It’s not bollocks. I’ve just painted the kitchen and I thought you’d like to see it.

Mother:  I don’t believe you.

Me:  Seriously, I have. Why don’t you swing by and I’ll get us something to eat?

Mother:  Are you on drugs?

Me:  Of course not!

Mother:  So what’s the catch?

Me:  There’s no catch! It’s just an excuse for you to come over.

Mother:  Okay. But this something for us to eat you mentioned. Will you be making it yourself?

Me:  Don’t be ridiculous! When have I ever done that?

Mother:  I want you to promise me.

Me:  I promise. It’ll be from the shops. Like you like.

Mother:  No, not how I like! I’m just not comfortable with you getting involved at the business end. Let’s go for a spaghetti or something. I’ll pay.

Me:  All right, I’ll come clean: I bought some guacamole the other day and I was just trying to impress someone. But I don’t have anyone any more so I chose you. I’m sorry, I feel a bit cheap now.

Mother:  Did you paint the kitchen?

Me:  No.

Mother:  Did you dick about with the guacamole?

Me:  A bit.

Mother:  Look, you know I love you…but not that much. I’m going to call the police. Do you understand?

Me: I do.

Mother:  Bye for now.

Me:  Thanks, Ma.

Broken Biscuits No.3.

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Just to let you know that BB returns to Antenna Studios in Crystal Palace on Sat 16th July, and once again the line-up is superb. The unfathomably prolific Franck Alba will be knocking out a few tunes like only he can; Joe Duggan, possibly the Palace’s finest wordsmith, will make you laugh, cry and think, most often all at once; Marijne and Paul (engine room of ’90s indie darlings Salad) are reunited at long last, so expect effortless, lyrical pop for those with something upstairs; and yes, DRS and I will pretend we’re not pissed as we try to hold it all together. And if we can get a projector, we’ll be continuing the newly-found tradition of screening Dan Laidler‘s superb animated mini-series Windy’s Farm. If we can’t, we’ll sing a little ditty or something. Like you like.

Tomorrow, we head out West for the Wonder Fields Festival just outside Exeter. We’ll be doing a few posts on Sunday, probably around midday. In a tent. And we’re meant to dress up as Aztecs or something but that ain’t gonna happen. One of the very rare occasions that common sense and human dignity shall prevail. No one needs to see that x

Broken Biscuits No.2.

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In what was one of the more bizarre weekends of our time, we took Broken Biscuits to the coast. Although the sea air was heavy with anger, sadness and confusion, for three hours we tried to provide an antidote. And provide it we did! Hastings Observer Building is a bloody marvellous hangout: creativity oozes from its every pore, so it was perfect for our little variety show. My undying thanks go to David Quantick, Kate Tym and the Ingrid Pitt Orchestra for putting it out there, to Dan Laidler for the first screening of Windy’s Farm, and to John Knowles for allowing it all to happen. And, obviously, to everyone to came. Because without you etc….

Broken Biscuits No.2.

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Upwards and onwards. On Saturday 26th June, the second BB will spring into action at the superb Observer Building in Hastings. And oh my stars, what a line-up! The mighty David Quantick, one of the finest comedy writers in the UK (or anywhere, for that matter), has agreed to do a turn; that bunch of gypsy tramps and thieves Ingrid Pitt Orchestra will chuck up some Transylvanian Glam/Punk/Folk (for easy accordian); St Leonards’ very own performance powerhouse Kate Tym is gonna kick arse because…well, you’ll see, and Idle Eye will try to keep up. And somewhere in all of the above, we’ll be showing three of Dan Laidler‘s magnificently bizarre animated mini-episodes Windy’s Farm.

A night to remember, then. Or, as the New York Times recently described it, “something to do if Game of Thrones isn’t on.” We’ve been advised by the Observer Building that there is a strong possibility it will sell out, so in order to avoid disappointment a link will appear somewhere below this. Use it and relax, safe in the knowledge that you will be a small cog in the history of stuff. Because that’s what you wanted, right?

http://bit.ly/BrokenBiscuitOB

Idle Eye 186 : The Final Curtain

I was having a couple of drinks at home, like you do, when the curtain suddenly billowed into the room. Despite it being a hot evening, I knew for certain that the windows were shut, so I went over to see what was going on:

Curtain:  Say your prayers. Tonight, we fly.

Me:  I’m sorry?

Curtain:  I said, tonight we fly. This world is no longer your concern.

Me:  Excuse me?

Curtain:  I’m a metaphor. Work with me.

Me:  A metaphor for what?

Curtain:  FFS!!! I thought you were a reader?

Me:  I am. But you’ve got to admit, it’s a bit odd to be having a conversation with my curtain on a school night. And besides, no one says FFS these days.

Curtain:  I’ll spell it out: I’m Death. You know, as in The Final Curtain. Yes, it’s a bit literal but if I turned up in black with a scythe, you’d just think I was taking the piss.

Me:  True. But, if I may be so bold, you probably need to come up with a more obvious visual clue. Most people won’t make the quantum leap, even if they like Frank Sinatra.

Curtain:  Frank who?

Me:  Sinatra! That’s the joke, right?

Curtain:  Still not with you.

Me:  Hang about. You just came into my flat, unannounced and uninvited, and said I wasn’t long for this world. Then you told me that you were a metaphor for death, and now you’re saying you’ve never heard of Frank Sinatra?

Curtain:  I never said that. And of course I’ve heard of Frank Sinatra. Just not within this context.

Me:  Surely that’s the deal? And so I face/the final curtain. Everyone knows that line.

Curtain:  No, sorry.

Me:  So what’s the point of you being a curtain then? If you’re actually meant to represent death?

Curtain:  I thought it was funny.

Me:  It’s only funny if you’re in on it! Anyway, the whole death thing is meant to be scary, so just blowing your way in here isn’t going to work. And even if it did, you need to brush up on your crooners: there’s an obvious simile you’re missing out on.

Curtain:  I can do a bit of White Christmas.

Me:  Doesn’t quite get the ‘you’re about to die’ message across.

Curtain:  What about Release Me, then? I could do it in a sort of grindcore way, that would put the shits up them.

Me:  Better. Have you got an agent?

Curtain:  I’m working on it.

Me:  I’ve got a couple of contacts in Charlotte Street, although you might have to dumb down initially.

Curtain:  Great! Oh, and about what I said earlier; can we just brush it under the carpet and forget about it?

Me:  That’s it! The Final Carpet, it’s brilliant! No one would expect that…

Curtain:  I like it. What about a double act? The Final Carpet and The Underlay of Eternal Damnation. For one night only.

Me:  Thanks for coming in.

IE Audio 26 : The Sea, The Sea

Murdoch spouts poppycock. As per…

Idle Eye 185 : The Lovers (a farce in one dimension)

London called me on the landline last week. I knew something was up because we’d been down to communicating by text and this meant business:

London:  So what’s this, I hear?

Me:  Er…

London:  Don’t piss me about. Word’s out that you’re leaving. Is it true?

Me:  It’s more complicated than that.

London:  Okay. So, you come to me in the 80s, a miserable, deadshit no-mark with nothing going for you whatsoever. I pick you up, put you in touch with people who turn your life around, introduce you to fun stuff, make you a bit cool (that was a tough one) and now I gather you’re buggering off to the seaside?

Me:  Look, Lon: it’s not you, it’s me. We had a great time together, no one can take that away. But I just think it’s time for a clean break. You know, start afresh. And, let’s be honest, I hardly hear from you at all these days.

London:  Do you have any idea how busy I am? Seriously, any idea? I’m a fucking capital city, I can’t be…

Me:  Sorry, got another call coming in.

St Leonards:  Darling! Can you talk?

Me:  Hang on…

London:  What’s going on?

Me:  It’s nothing. Can I call you back?

St Leonards:  I’ll be here as long as you want.

Me:  I wasn’t talking to you, Len.

London:  Who’s Len?

Me:  I wasn’t talking to you, Lon.

St Leonards:  Who’s Lon?

Me:  Hold up, I’ve got another call coming in.

Brighton:  Darling! Can you talk?

Me:  Not now, bra, not now. Can I call you back?

St Leonards:  What’s going on?

Me:  It’s not what you think.

London:  What the..?

Me:  Lon, there’s something I’ve got to tell you.

St Leonards:  You tell that bitch she’s history, doll.

Me:  Len, please: let me do this my own way.

Brighton:  And what about me?

Me:  Can I call you back, bra?

Brighton:  You’re all the same, you London ba…

Me:  Hold up, I’ve got another call coming in.

Hastings:  Darling! Can you talk?

Me: Jesus H Christ.

Brighton:  Who’s this?

Me:  I’ll call you back

Hastings:  I hear you’ve been sniffing around my sister.

Me:  It’s not what you think.

Hastings:  I’ve got everything she has. And more besides.

Me:  Look, I love everything about the pair of you; really, I do. Please don’t make me choose!

St Leonards:  Tell her to rack off!

Hastings:  Back in your basket, bitch!

London:  Hello?

Me:  Can I call you back?

London:  I’m hanging up the phone now. Call me whenever.

Me:  Don’t go! I’ll sort something.

Brighton:  Goodbye.

Me:  I’m so sorry.

St Leonards:  I’m waiting…

Hastings:  I’m waiting…

Me:  This is ridiculous! Can’t you two talk? I’m sure we can work something out.

St Leonards:  Good try, girlfriend.

Me:  Come off it, you’re basically the same p…hold up, I’ve got another call coming in.

Hove:  Darling! Can you talk?

Ad nauseam