Idle Eye 144 : The Kanye Conspiracy

Remember last year? Me neither, which is the predominant reason I churn out this self-indulgent effluent every week. So that, in a quiet moment of the day when the wine fog has lifted, I can claw back clues as to my activities over the last three and a half years, and make out I have near-perfect recall. Yes, like that bloke out of Neighbours (what was his name?) in Memento. So, imagine my surprise when I discovered I had attended the Glastonbury festival. Quite willingly, apparently. Can that be right? And why on earth would I have agreed to such a thing, being as I am rather ancient and unsuitably constructed for the al fresco activities of youth?

I dug a little deeper, only to find out that, to my horror, I am going again in June. And that I have already shelled out perfectly good moolah for the privilege. What fresh hell is this? If ever there was a deterrent to the perils of Pinot… Anyway, my fate being sealed thus, I thought it prudent to at least find out exactly who I shall be forced to watch, and in narratively convenient fashion, the organisers announced yesterday that someone called Kanye West will be headlining on the big stage. Kanye West? Who the shoo is she? I thought it was a holiday destination for wealthy folk, somewhere near the Keys in Florida. And whilst I realise I no longer fit the festival demographic, you’d think they could at least meet me half way: The Bay City Rollers still have a bit of spunk left, and young people can mock them on the Twitter if they get bored.

Seeing as I already had my detective hat on, I discreetly asked my niece to get me up to speed, ignorance being no excuse in these matters:

Poppy:  Are you for real?

Me:  Yes, I think so.

Poppy:  No, I mean you’ve never heard of Kanye West???

Me:  I haven’t. Does that make me a bad person?

Poppy:  He’s only the biggest rapper in the world!

Me:  Rapper, you say?

Poppy:  Yes, rapper! And he’s married to Kim Kardashian. Keep up!

Me:  Kim who?

Poppy:  Oh for God’s sake! Kardashian! With the massive arse.

(long pause)

Poppy:  You really don’t know, do you?

Me:  I’m afraid not.

Poppy:  Have you been living under a rock for the last ten years?

Me:  Of course not. But wasn’t she at Glastonbury last year with her band?

Poppy:  That was Kasabian!

Me:  Is there a difference?

Poppy:  I’ve got to go now…

So, none the wiser then. But at least I’ve gleaned that this Kanye chap has a wife with a big bottom, which will surely hold me in good stead when I’m standing in a Somerset field, knee-deep in mud and surrounded by children who know who he is. What was it again? Kim something? I wonder if she’s from North Korea.

Idle Eye 142 : The English Straitjacket

Sometimes being English is just plain awful. The absolute pits. Yes, yes, I know we’re all terribly polite and good at pop music, being ironic and making the most of our crappy weather, but when it comes to saying what we actually mean, we are lamentably backward. How often have you apologised for someone else’s rudeness? For being in the way when you never were? Or pretended things are just fine when your internal tolerance needle has just tipped into the red?

I do it frequently. At the end of pretty much every cold-call received, over which I weakly feign surprise at that accident I never had, or the very specific amount the banks owe me for insurance I never took out, I hear myself thanking a computerised voice for its time and, on occasion, wishing it a pleasant day. Which only serves to fill mine with self-loathing and misanthropy. And, cliché though it may be, I constantly find myself drawn to queues, quite often for something I have no interest in whatsoever. Why? Why?

Because it reaffirms the quintessence of our Englishness, and that Englishness breeds deep inside us all, gnawing away at more vulgar attributes such as anger or self-confidence, until all that is left is the quivering bag of neuroses we move around inside every day. It is a curious evolutionary quirk, for if shifted over to the animal kingdom, your average Brit would be mercilessly and fatally mauled before he/she had finished blinking. Probably by something French or Polish, whose very means of survival hinges on the exact opposite.

Speaking of France, here’s another example: When I was fifteen, I was placed at a school in Toulouse for a short while. There, I came across a delightful young lady called Catherine Voisinet, who blushed when I was around and clearly wanted me to make the first move. My French was adequate enough to facilitate this, and I was not yet marred by a forthcoming volcano of acne. But did I? Of course I didn’t. I just sat around, blushing back at her in English until she got bored and started dating a Neanderthal rugby player with grazed knuckles. Who thought I was ‘un con.’  And he was probably right.

I’d love to be able to tell you that it’ll all turn out ok. That being a bit Hugh Grant isn’t such a bad thing, and that more bullish nations will sneakingly admire you for all that pent-up emotion. But I fear that would be a lie. It is and they don’t, despite what you may have been lead to believe from the inexplicable overseas success of Downton Abbey and the like. They’re just collecting ammo for the next way to shaft us rotten, based on information we willingly throw at them. Then they’ll steal our ideas, market our booze, buy up our housing stock etc… and repackage it all as their own. And we’ll probably thank them for it.

Idle Eye 140 : The Blood Test

In May 2013, I made an appointment with a certain Dr Nunn for a routine blood test. Apparently you’re meant to do this sort of thing when the ratio of your years left on the planet versus years already used up, tips unfavourably towards the latter. I made light of any reasoning behind it, of course, suggesting that my request was purely investigative and of no great consequence. However, Dr Nunn is no fool. Looking straight past the saffron-tinted jellies through which I decipher the world and deep into the very core of my being, he offered me a seat next to the computer. Then he made me wait. For eons.

Time slows down to a crawl when you know you’ve been rumbled. The skinny document containing my records was theatrically scrutinised, and accusatory glances from over the top of his half-moon glasses were staged for maximum gravitas. I knew what was coming next:

Dr Nunn:  Smoker?

Me:  Er…Not really. The occasional puff, perhaps.

Dr Nunn:  How many?

Me:  Hmm…Depends on my week, I suppose! (laughs nervously)

Dr Nunn:  I’ll put you down for twenty. Sound about right?

Me:  Absolutely. (rapid blinking)

Dr Nunn:  What about alcohol? How many units per week?

Me:  Units? I’m not really sure, to be honest. How do you…

Dr Nunn:  Someone of your age should be looking at no more than one or two small glasses of wine a night. Preferably with breaks in between. The liver isn’t a miracle worker.

Me:  I see. I think it would be fair to say I do drink a little more than that. Not always, and I do try to keep it to…

Dr Nunn:  I need a straight answer. Or we’re both wasting each others time, aren’t we?

Me:  Yes, I’m sorry. Well, on the odd occasion it has been known for me to get through half a bottle of red wine in the evening, and sometimes a beer or two.

Dr Nunn:  How often?

(long pause)

Me:  Every night.

(long pause)

Dr Nunn:  No more than that?

(long pause)

Me:  No. (swallows)

Dr Nunn:  Right, I need you to come back next week. Give this in at reception, they’ll make another appointment for you.

Me:  Thanks very much for…

Dr Nunn:  Goodbye.

I looked down at the printout thrust into my hand. There, in a little box marked ‘Relevant Clinical Details’ was the evidence statisticians and the red tops pay top dollar for, no doubt to keep social pariahs such as myself out of the surgeries: ‘Screen: High Alcohol.’  And it works. Because I never went back. If half a bottle of pinot and a hop-based aperitif counts as alcohol abuse, my return visit would have seen Dr Nunn strapping me into some kind of detox seat, like Alex from A Clockwork Orange, forcing me to watch endless loops of waterfalls and Bavarian milkmaids until I recanted my feckless ways. Do me a favour…

Idle Eye 137 : The Worst Drink of the Day

I hate tea. Quite why it has been adopted as the nation’s drink of choice is totally beyond me, seeing as pretty much anything else that’s liquid and stays down would be infinitely preferable. Let’s not beat about the bush: In its raw state, it looks (and tastes) as if it has been strained though your grandmother’s underpants. Then you add milk (as if that’s going to help), and when it’s made, perfectly normal people from right across the class spectrum make weird, contented sighs over the duration of its consumption as if to say that life, up until this point, has been a bit much. “Best drink of the day”, they go. Utter balls! Stick around with me & I’ll show you a belter come 6pm.

Three drinks that are better than tea. Fact!

  1. New Zealand Marlborough Pinot Noir
  2. Your own sick
  3. Someone else’s sick

You know, the bit that gets me is when they say “Ooh, I’m dying for a cuppa.” I could understand it if they were after a triple shot of wormwood-laden absinthe with a vermouth chaser, but tea? Really? It’s just so…lame! So, why exactly have we embraced this muck to our collective bosom? Well, as with most things, it’s a long story which I shall attempt to condense for you here. If you want proper facts, there’s always Wikipedia:

  1. Chinese accidentally discover it ages ago
  2. Portuguese nick it from Chinese
  3. Dutch nick it from Portuguese
  4. Brits nick it from Dutch
  5. It’s British. No argument. Like curry

The rest is history. There’s a bit of faffing about with taxes and the East India Company, but for the most part we stuck our flag right there in the middle of the pot and pretended to like the stuff. I blame that Catherine of Braganza, wife of Charles II, who made it fashionable and got hooked on it, dozy mare. A bit like Diana and marital infidelity, and look how that’s taken off. Only problem was, the proles had gotten a taste for it as well, and curiously, it was offered as an alternative to the demon grog at temperance meetings. Now, I’ve never attended a temperance meeting (probably not for me), but I’d imagine that tea really isn’t going to cut the mustard when you’re bug-eyed, frothing at the gills & threatening violence to anyone in the vicinity without an almost full bottle of pinot to hand. But what do I know?

And so to the present. I concede I must kowtow to the social mores of our time if I wish to succeed in my chosen field, but I shall do so on my own terms. A short cup of coffee, brutally strong and infused with one of those flavoured syrups, is more than enough to see off the competition. Preferably in sync with a couple of fags. And to those who see this as a crass invasion of tradition, hear ye:

“We do not have to accept the world as we find it” – Ed Miliband

Idle Eye 136 : The Naan Busters

It is 19.45 in the picturesque market town of Sherborne, northwest Dorset. I sit alone in a curry restaurant, waiting for an entry-level jalfrezi to arrive and listening to chutney classics from behind an MDF-constructed jali, separating me from the next booth. And I am midway through authentically enjoying an authentic Indian lager brewed in Luton, when Grant and Phil Mitchell (sic) burst into the neon with a disgruntled lady in tow, demanding a table:

Phil:  Oi Oi! Haas abaht a bladdy ruby, me ole cobber?

Grant:  And make it sharpish! We’re proper Hank Marvin!

Waiter:  Good evening, gentlemen! Taking a seat, thank you please.

Phil:  And the missus wants it girly tonight ‘cos…

Both:  She caan’t handle it!!! (peals of hysteria)

The gruesome threesome are ushered to the next table (despite the restaurant being completely without custom bar my own) and begin to peruse the menu. Tonight, Phil will opt for a vegetable thali (because he’s been suffering from meat sweats), six masala poppadums, three naan breads, an assortment of side dishes (curiously, almost exclusively meat-based), and several pints of said authentic beverage. Grant, on the other hand, is taking no prisoners. He’s having one that “blows yer bladdy doors off” and a plate of chips to complement. And several pints of same, natch.

Grant:  And daan’t hang abaht, neeva!

My vantage point behind the screen allows me a discreet glimpse at Phil’s long-suffering bride (let’s call her Goldilocks, even though she’s a brunette). She is caught deep inside a vortex of bravado and common sense, knowing the evening’s outcome depends heavily on her choice of dish: Too mild, and she faces mockery on a scale hitherto uncharted. Too hot, and…well, probably the same but at least she’ll be spared the Ring of Fire. But she cannot drag her heels, for the waiter is hovering:

Waiter:  And for you, madam please?

Goldilocks:  I’ll…er…What do you recommend that ain’t too ‘ot?

Waiter:  For you, the chicken korma, madam. Very popular, thanking you please.

Goldilocks:  Go on, then. I’ll ‘ave one of ‘em.

Phil:  A korma? Wassa blaady point in that?

Grant:  She’s a woman, Phil. Don’t you know nuffin’ ?

Phil:  Samtimes I wander what I bladdy see in ‘er, you know what?

And so it goes on. However, Goldilocks’s ritual humiliation is cut mercifully short thanks to the timely arrival of Phil’s poppadums, which he proceeds to fill to bursting with the complimentary pickles. This has the secondary effect of creating a brief lull in conversation, for in order to save face, Grant cannot be seen to be siding with the enemy. To bridge the gap, he gestures through the screen in my approximate direction, as if to coax me into his nirvana:

Grant:  Oi Oi, mate! How goes?

Experience has taught me never to engage in such affairs, no matter how alluring. With my cover now blown, I make a hasty beeline towards the bar and settle my bill, leaving an unnecessarily healthy tip to secure my anonymity. Although Phil, it seems, already has me down:

Phil:  ‘Kin nonce.

Idle Eye 135 : The Thing About Charlie

Have a look at the mast drawing above. That’s me, that is. Drunk, scribbling unrecognisable nonsense as per, wide-eyed & tousled, inappropriately attired for a man of my age and surrounded by semi-mythical beasts which may or may not represent the muses I wrestle with on a weekly basis. All contained in one simple statement with the site name teetering on the verge of collapse above me. How very apposite. When I briefed Dan back in 2011, I knew I wanted a sketch rather than a designed header with slick typography, because the best ones condense all the relevant information into a single visual hit. No frills, no waste, and therein lies the power.

I bring this up for two reasons: Firstly, and primarily, because current news events that cannot have escaped anyone’s attention have brought it into sharp focus. And whilst I won’t be drawn into spouting cause and effect rhetoric (this is not the place), it does demonstrate just how incisive the pen can be. Satire, by its very nature, apes and distorts its targets to drive the point home, which is why it sits so (un)comfortably with the cartoonist. Perhaps photography is too ‘real’ to get under the skin in quite the same way. Charlie Hebdo knows this all too well, hence their medium of choice. It’s quick, brutal and it takes no prisoners.

On the exact same day of the attacks in Paris, I was with six artists (amongst others) in a wine bar in central London, revitalising an idea that has been in limbo for a year or two now. It was also my birthday, and fuelled by copious quantities of Hungarian Pinot Noir (the kind that strengthens the resolve the more of it you have), I dared to ask for contributions towards an illustrated book of this here blog. And, no doubt for the same reasons, they were granted. In less than a week, the number of pledges has swelled to sixteen and they’re still coming in, brilliant, disparate and from all over the planet. I am simultaneously humbled and terrified.

As outlined in the first paragraph, in my head I’ve always seen the book as illustrated. Anyone who has ever read the bilge I come up with every week will interpret it differently, and what better way to represent that than a bunch of artists doing their thing. I pray the fact that I am the common glue does not put them off any. My default setting when things start going well is to run for the hills and hide until it’s all over, but not this time, not this time. With an apolitical nod to Charlie, this time I’ll commit. If you believe in something strongly enough, show some balls. And show them I shall.

I will, of course, let you know as and when things start to happen. But, in the meantime, there’s stacks to moan about and I’ve lost a bloody week now. Thanks for that.

Idle Eye 132 : The Christmas Special*

*with 312 festive bonus words

Desert Island Discs – December 2014

Kirsty:  Due to swingeing cuts the BBC has suffered recently, my castaway this week is alcoholic and sometime blogger Idle Eye. I know, me neither. His pithy and often self-deprecating blog has been read by an ever-decreasing audience since its inception in 2011, and he claims to be a mouthpiece for the very few disaffected, middle-aged misanthropes he manages to connect with. Good morning, sir.

Me:  Good morning, Kirsty.

Kirsty:  I understand that you no longer make any money whatsoever from your work. Is this true?

Me:  That’s correct. I started by writing for my brother’s pub, but it soon became pretty clear that the stuff I put out was having an adverse effect on his clientele: They stayed away in their droves. The rest is history.

Kirsty:  So what’s the incentive, if you don’t mind me asking?

Me:  Well, Kirsty, the strapline for the whole shebang is “Getting it off my chest and onto yours”, which I suppose is the main thrust. And I nicked that from Peter Cook. Sadly, there isn’t an original bone in my body. But I soldier on.

Kirsty:  Let’s have some music.

Me:  My first would have to be Instant Street by dEUS, which hit me like a bullet when it came out in 19…

Kirsty:  We don’t have that one, I’m afraid.

Me:  Oh…Well, how about Heavenly Pop Hit by The Chills? The flagship band from New Zealand’s Flying Nun stable when they were at their…

Kirsty:  Nor that.

Me:  I thought you had these things lined up beforehand?

Kirsty:  Look, Sarah Millican asked for Wham! if that’s any help. Work with me.

Me:  Ok.

[You Drive Me Crazy – Shakin’ Stevens]

Kirsty:  Thank you. Now, tell me about your drinking. You profess a disturbing reliance on Marlborough Pinot Noir in order to get your ideas onto the page. Would you describe yourself as a writer with a drinking problem or a drinker with a writing problem?

Me:  I like to think of it as both. Although it’s clear which one would have to go if push came to shove.

Kirsty:  I see. And do you think you could manage without?

Me:  To be fair, there’s a lot of crap out there. And the telly’s getting better and better. So yes, I think so.

Kirsty:  Let’s have your next disc.

Me: Can I have…

[We Are The Champions – Queen]

Kirsty:  You mention your family in several posts. Tell me about the early years: Did they spot the signs of your forthcoming invisibility or was it something you had to work at alone?

Me:  When you say ‘forthcoming invisibility’…

Kirsty:  That, by your own admission, your efforts are widely ignored. “Like farting into a wind tunnel”, as you once put it.

Me:  It was a symbiotic arrangement, I seem to remember. To have your ‘efforts’ overlooked as a young man does stand you in good stead for later life. In many ways it was a gift, for which I am profoundly grateful.

Kirsty:  Forgive me for bringing this up, but we’re running out of time and we need a hook. Your father, a much-loved television and film actor, died last year. How did his tangible success, first realised when he was less than half your age, affect your confidence as an artist in your own right?

Me:  Well, Kirsty, I see it like this: Success is very much like wine – Some of it can be enjoyed young (and some of it can be very good), but I think most of us would agree that in order for it to be at its very best, it needs to have sat around for a while.

Kirsty:  But if you leave it too long, it gets tipped down the sink.

Me:  There is that.

Kirsty:  Let’s have some more mu…actually, let me do it.

[Do They Know It’s Christmas? – Band Aid]

Me:  I hate that one, by the way.

Kirsty:  Me too. But it’s your show.

Me:  And I normally write 500 words, preferably less.

Kirsty:  Just say it’s a Christmas Special. You can do whatever you like with them, trust me. Now, I’m going to give you The Complete Works of Shakespeare and The Bible to take with you. And a book of your choice: What’s it going to be?

Me:  Well, it’s a toss-up between…

[Sarah Millican’s Support Group audiobook – Sarah Millican (signed)]

Kirsty:  And a luxury too. You can have one thing on the island to make life more bearable.

Me:  I’d like…

[You’re Never Too Fat For A Handbag – Sarah Millican white cotton tea towel (signed)]

Kirsty:  And if you had to pick just one…ach, forget it.

Me:  I already have.

Kirsty:  Thanks for coming in.

Me:  No, thank you.

Idle Eye 123 : The Right Stuff

Someone called William rang me yesterday. Before he got through, I screened the number: Unfamiliar, but at least not one of those 08547 deals which you instantly know will come with a three second delay, over which you politely say “Hello” twice despite your better judgement, followed by an upbeat recorded message giving you just enough info on that accident you had to prevent you hanging up on the spot. Which you do anyway.

In short, William’s prefix looked legit so I took the call, thinking it might be confirmation of my bank details from a new Nigerian business partner. His opening gambit was along the lines of “How are you?” Now, as this particular question rarely arises, be it from my siblings, employer or accountant, I was already putty in his hands. Next came the introduction. Apparently he is my personal wine advisor and was making a courtesy call based on the preferences made with my online account which, you may be surprised to learn, comes in at less than £200 per annum. He accurately noted that I enjoy wines from New Zealand, bless, and proceeded to suggest a few others that may have escaped my radar. And despite all prior knowledge of the ruthlessness of marketing and cold-call grooming, I began to warm to him. And he’s from Norwich.

How we laughed at the vulgarity of your supermarket Shiraz. And how effortlessly he dropped in the buyer’s sweet spot, being that place on the quality curve when you are no longer paying off taxes, duty and whatnot. The one when you go “Hell, I’m worth £2.50” and buy a couple of blue labels, as opposed to the plebeian red. And, in case I was in any doubt whatsoever, he reminded me that I would be fully refunded if his recommendations fell at all short. Geezer! I wanted to French kiss him down the phone, or at least ask him out for a pizza. This man knew more about me than my teachers from the 1980s or, dare I say it, my parents. And in my loved-up state, I saw us enjoying a mutual glass of an astonishingly rare Pinot under a wide Andalusian sunset.

But then came the crash. I nipped round to my friend Nick’s house not long afterwards who just happens to be a marketing guru and I told him about my new love, William, and how it felt to be understood so completely. “It’s not what you think”, I protested. He gave me the skunk eye, then the lowdown on Cute Brands and Upselling. You know, the sort of thing that companies like Innocent use to get you on team. And in an instant, the wonderful man-love I had experienced but hours before evaporated like the morning mist. I felt cheated, violated, abused. I thought this was different. I thought this was special. I thought this was personal. So I bought some more wine. The right stuff.

Idle Eye 122 : The Cider Inside

According to the internet, I may or may not have alcoholic neuropathy. Not the fully-fledged bumping into walls/khazi-bound variety, you’ll no doubt be pleased to learn, but there is some evidence of a tingly leg thing going on after an exceptionally enjoyable bottle of Pinot. Gruelling news, particularly as I am halfway through the arduous task of reducing a bottle mountain of barely palatable filth, bequeathed to me by my late father, in order to reclaim some kitchen shelf real estate. So, in the greater interest of my failing health and with a small nod to genuine altruism, I have decided to give away one of said bottles to any reader who can be arsed to ask for it. Yes, like a competition.

But which one? You are most certainly not having the 1982 Taylors port, and I wouldn’t wish a 2011 Vina Primera white rioja on anyone with a pulse, not even the ISIS vintners. I did, however, find a dusty old thing lurking at the bottom of the pile which, on closer inspection, turned out to be an ageing bottle of Merrydown cider, its blackened cork still wedged in tenaciously at the neck. A thrilling discovery by anyone’s standards, so much so I proffered this information to Merrydown themselves, along with a photograph and a discreet enquiry as to its age. And quick as a flash, I received an email from an equally excited Emma Vanderplank at customer relations, informing me that according to their archive, it probably dates from 1952. Or 1955. Or 1962. Whichever one, it’s proper old: Small wonder Dad laid it down.

So there’s the provenance, but what of the value? To this end, I delved deep into the guts of several online auction houses specialising in the sale and distribution of historic orchard fruit-based alcoholic beverages, and it turns out our little friend ticks all the boxes (matured in cellar/label still legible/stored outside mandatory fifty mile exclusion zone of anyone with a Somerset postcode etc…) And if I’ve got my sums right, it’s almost certainly worth between six and eight quid, give or take a few pennies (allowing for market variables and fluctuation thereof). Bearing in mind that you pay considerably more for the tat sold in convenience stores that doesn’t even have the patina of age, I would suggest to you this is a gift horse not worth looking into the mouth of. Not even a furtive glance from the other side of the paddock. To say nothing of its accruing potential if you so choose to lay it down for another fifty years. I must be mad, me.

Here’s the deal: I’ll post the photograph on the Idle Eye Facebook page (over there, on the right). You tell me why you want it (in the comments below). The winner will be selected by me, subject to bribes. You give me your address, I send it to you at my not inconsiderable expense, along with a picture of a hamster (UK applicants only – Not this time, Johnny Foreigner). Now, what are you waiting for?

Idle Eye 121 : The Song of a Sceptic

A little while back, I wrote a short piece about food on another blog platform when I was attempting to find my voice. It was deliberately confrontational and probably a touch derivative, the main thrust being that food is, in essence, merely petrol to keep us all alive in order to do far greater things than the act of eating itself. This would have been apposite if written in the 1970s (or indeed earlier), when the greater irony may well have been appreciated by frequenters of those appalling trattorias, nascent curry houses and stick-in-the-mud bastions of public school cuisine. But it wasn’t.

Over the last twenty years or so, we have morphed into a nation of foodies. Suddenly, every man and his dog has developed a palate that subtle, it would leave Abigail and her guests floundering like jetsam at one of her soirées. We demand choice and quality as standard (despite having come through the worst recession since WW2) and, more than ever, we require affirmation that our opinions are justified. Why so?

Because our newly-found appreciation of all things gastronomic is nothing more than the emperor’s new clothes. We food snobs, like wine snobs, know deep down that our honed interest in the ephemeral is pretty low down on the pecking order of things that actually matter. Consequently, in much the same way that our current government operates, we surround ourselves with like-minded sycophants who will be the first to forgive us for thinking that it does. So when the bill payer clicks his/her fingers at a chain restaurant minion and they come running, no-one from either camp dares question the validity of the challenge. Money talks, deafeningly when there isn’t much around, and putting an opinionated Herbert to rights is probably not worth losing your job for.

But it is a wafer-thin confidence, to be annihilated absolutely in the not too distant future by global events, the seething aficionados of packaged goods, and common sense. I predict a time when all celebrity chefs are dragged by the hair from their culinary idylls, thrown into the stocks and pelted to death with every last leaf of kale, lollo rosso and organically-farmed, locally-sourced cucumber that inevitably ended its days in the recycling bin. When coffee houses, like televisions in the 1950s, only offer black and white as an option, and if anyone with a manicured moustache demands anything with more than one syllable, they too will be executed on-site in the manner of Charles I and their remains fed to Hugh Fearnley-Whittingstall’s pigs. And when the beasts of Smithfield, at the point of their bloody departure from this world to the restaurants of St John Street, are given the option to turn the tables, they do so on the sole condition that they feast exclusively on their perpetrators.

Ladies and gentlemen, I give you the future.