Idle Eye 157 : The Plagiarist?

Impending death kind of makes you get your skates on. All that time you spent dicking about doing nothing of consequence will eventually appear at your door tapping its watch. Which is no biggie if you happen to have chalked up some of the stuff you set out to achieve, but if, like me, you’ve tried and failed too often to even care about, you have to ask yourself two pretty searching questions:

Do I keep going, or do I shackle myself to the yoke of submission and admit defeat?

The death thing is quite a major pisser, but when you boil it back to basics it’s not actually life-threatening; just an expedient reminder for you to get off your arse and get on with it. If it bothers you, you can always hop over to deathclock.com (the internet’s friendly reminder that life is slipping away), where they kindly work out how long you’ve got until you are reclaimed by the Grim Reaper. I did briefly consider this, but thought better of it after browsing the search criteria and calculating for myself that I was already living on borrowed time.

I weighed it up. Yes, I could go back to a job that looks good on paper to those who don’t really understand what it entails, or load my bollocks back into the wheelbarrow of endeavour and run with it/them once again. To where there’s no safety net if things go a bit tits. Where the odds are stacked against you because you should have done it twenty years ago. Where the contenders are younger, media-savvy and hungry for that rapidly diminishing slice of the pie. And then, just as I was beginning to cave, someone introduced me to Jonathan Ames.

If ever an ageing, unpublished writer needed a tonic, it came then in the form of this man’s work. A self-deprecating, pushed alter-ego, doing (and penning) things most of us would ordinarily shun, in the tradition of the great American humourists but with a filthier edge, Ames was pushing all my buttons. The greater irony being that the exaggerated failure he casts himself as is, in reality, exactly who I am now. Although I too am writing as an exaggerated failure, and shall continue to do so despite any inconvenient impending success. It’s a headsmoker, make no mistake, but a glorious one nonetheless.

So where does that leave us? My newfound admiration for Mr Ames will almost certainly draw comparisons, the most apposite being that despite sharing a birth year, I am in South-East London writing drivel for 350 people and he is about to launch Blunt Talk (which, from the trailer, appears to be the sharpest comedy to come out of the States in decades) and is probably rather busy. But it is comforting to note that we have been singing from the same hymn sheet for quite a while. Independently, I swear.

Doubt, get thee behind me.

IE Audio 4 : The Demon Grog

Bit of back story here. Not all that funny either, but at least it demonstrates we can pull something out of the bag if pushed.

https://theidleeye.wordpress.com/2015/06/10/idle-eye-156-the-demon-grog/

Dorchester Court, Herne Hill, London 2015

An amalgam of some of the audio sessions we filmed in 2015. They were enormous fun to do, usually culminating in the consumption of copious amounts of Pinot and an absurd photo op with a potato. There is no adequate explanation for this. At the time, the excellent Rupert Ingham was doing the narration and I was directing it all from the sidelines. Although things are a little different now, I sincerely hope we can work together again in the future.

Idle Eye 156 : The Demon Grog

Of all the relationships I’ve ever had, perhaps the most difficult is the one I still hold with the booze. It’s pretty shit, to be frank, and I didn’t choose it either. My namesake grandfather died of it before I was born, as did my own father indirectly, and it will probably see me off prematurely if the snout doesn’t get me first. Its claws are pan-generational, way outside the boundaries of logic and reason, and conveniently, a quick re-read of the above somehow absolves me of any absolute guilt, thereby allowing me to persevere with more of the same in order to write dispassionately about it. As if that makes it okay. The obvious, entry-level question filed by those close enough to be concerned, is this:

Do you drink alone?’

And the most honest answer I can give is:

Yes, I do. I drink alone out of preference. Because then, finally, the ever-present critical voices (which extend into every cranny of my existence) shut up long enough for me to be able to do the things I actually care about. Until I go down the opposite slope and couldn’t give a toss any more. Can I get you a top up?’

It’s not what they want to hear. And those I’ve upset along the path (trust me, there have been a few) will see it as a romanticised excuse, along the lines of Sebastian in Brideshead Revisited, very much the architect of his own downfall despite every gift life bestowed upon him.

Someone kindly gave me a book last Christmas. Called ‘The Trip To Echo Spring’ by Olivia Laing, it discusses the troubled link so many writers have with the demon grog. Not that I have ever considered myself a bona fide writer, and thereby lies the problem. The very term has such powerful connotations that the unsure are crippled at the starting blocks, pitifully reliant on whatever it takes to be taken seriously. Until the crutch becomes counterproductive, by which time it’s usually too late. Between these, I walk a fine line: If that glorious moment ever comes about when something I have created becomes a thing, I’ll probably be too mullered to notice. But maybe you will, and I’d be grateful if you could let me know. We’ve been around the block together for nearly four years. You owe me.

I have a rule. When I spew this stuff out, usually late at night and alongside a bottle of Pinot, I resist the temptation to hit the publish button until the following morning. Because, no matter how cathartic it may seem at the time, the unforgiving light of a new day will invariably reveal my incisive efforts to be little more than a muddled, steaming pile of cack. But ask yourselves something: You’re reading this. Does that mean it’s through quality control, or am I slumped comatose over the return key?

I’ll leave that one with you.

Book Update No.2

IE-T-Shirt-MockUp-Continental-EP30bw

Just heard back from 3rd Rail clothing who are printing these up for me – Now shipping a bit late due to supply issues. They gave me the option to choose another brand but I’m sold on these babies, great quality, ethical etc… Like me, basically. So I’ll take the hit. Have also decided to use them as shameless bribes to make you pledge something for the book when the campaign goes live, so not for sale as such. More of a chicane.

On that subject & all being well, we’re aiming to kick off in the first week of July. It will run for 35 days, and there will be an escalating series of rewards (some of which are really special) depending on how much is pledged. I’m keeping the target as low as I can manage in the fervent hope that we meet it and the book can go into production. If it falls short, you all get your money back & I go into the Priory. If we go over, I’ll make it a hardback and/or print off more copies. That’s how it works. So forgive me if you start getting grovelling emails/requests to share posts/miscellaneous irritating intrusions into your lives. It won’t be for long and who knows? You might get a lovely shirt to polish the Chippendale with.

Idle Eye 155 : The Modest Proposal

Ever tried to sell yourself? Seriously, have you? You’d think it would be relatively straightforward, seeing as you’re pretty much up to speed with all things you, and it should be just a question of getting the good bits in line, right? Well, I beg to differ. This week I’ve been trying to put together a book proposal for literary publishers and agents, and it’s like pulling bloody teeth. Using a crib sheet downloaded from one of the Bloomsbury fat cats, I somehow managed to get through the early parts unscathed. But then they wheeled in the heavy artillery:

Q)  Please outline the main pedagogical feature you plan to include.

A)  Hmm…It’s a funny blog I want done as a book. That’s it. And the only pedagogical feature I can think of is that it serves as some kind of a caveat.

It gets worse:

Q)  Where do you see the main markets for the book, e.g. UK/Canada/Europe/Australasia etc? Please provide any information that would help us promote it in specific markets, e.g. international case studies/contributors/author profile/possible endorsements.

A)  Hold on, isn’t that what you do? It’s not like I go round to WC1 and say ‘I’m having issues with a recalcitrant paragraph, could you sort it for me’, is it? Or tap you for meals I had in the local café whilst attempting to sound coherent online. My remit is to write the stuff, yours is to put it out there. Surely?

But seeing as I’ve had diddly squit published in my life, maybe it’s time I learnt to play ball. The possible endorsements bit is simple, I’ll just make a call to New Zealand and be the acceptable face of the next thin-skinned grape juice they export. It’s just, well, how exactly are you supposed to know where your main markets are if it’s not out there yet? Perhaps I’ll develop the Downton Abbey effect in the Ukraine (by the way, hello Ukraine stats person. Could you let me know what my USP may or may not be in your country? I’m afraid I haven’t a clue. And good luck with Vladimir), or nag the two people I know in North Carolina indefinitely until they set up an injunction.

It’s not in the nature of creative types to do hard sell. That’s why we have agents and managers and accountants. The whole crux of this symbiosis hinges on the left brain/right brain theory, both parties doing what they do best in order to achieve a mutually beneficial end result. I could no more flog the fluff I put out than eat my own earwax, and that’s as it should be. But it works both ways. If they find me butt naked on a carpet somewhere, dribbling and babbling incoherent nonsense, I shall remind them it is my duty as an artist to push the envelope. So they don’t have to.

Book Update No.1

cover mock-up

Amateur of Life and Death updates will live here until the thing is finished. This will include stuff about crowdfunding, agents, publishers, the Beverley Hills apartment I am forced to write from and weekly stats as to how much everyone involved hates me (this will fluctuate). The production of a book is a raw, bloody process, a bit like giving birth to a porcupine. I fully intend to take you through the labour stages until I bring the mewling, puking little bastard into the world and someone gives me a hanky to cry into.

Idle Eye 152 : The Angry Birds

It’s hard not to get incensed by all the stupid things people do. Whether they’ve voted wrong, or looked at you funny, or gone shopping with a ridiculous hipster hairdo or put their feet on the seats, it’s enough to have you frothing at the gills most days, right? To be honest, it’s exhausting. A quick spleen vent at work or down the pub doesn’t help much either, because there you’ll just find even more stuff to get livid about. It’s an infinite cycle of bile. A human centipede of perpetual fury. And once you’re in it, there’s no getting out. Without lithium. Or chocolate.

So where can like-minded hotheads meet and bleat when the going gets excruciating? Which crucible is robust enough to contain the white heat of contemporary rage? Yes, you guessed it, it’s our old chum the Twitter. That stalwart portal, which gives with one hand and destroys with the other, is the paradoxical Shiva of the internet. But here it is not enough just to rock up and pitch in, oh no! To be considered a player, you must have followers. Like Jesus. Or Charles Manson. When you finally get a few, you’ll be needing a few more. And then more still. Until eventually, the very notion that these followers are actual people, as opposed to numerical online manifestations of your rampant unfettered ego, evaporates like a springtime morning mist.

Anyway, I was checking my feed this morning at 5.17am (I was up early, sick with worry that I’d forgotten to charge my phone), and noticed that I had been unfollowed. Only by one, but I felt the ricochet and was smarting from it. Having that extra bit of time on my hands, I spent the next few hours trawling through recent hard drive back-ups in order to expose and humiliate my perpetrator. Unfollow me, I thought? I’ll learn ya. But this one was good. Very good. Using what they call a cloaking address, xoigirl.vikki264 had manipulated my good nature into accepting her into the fold and giving her that most rare of opportunities to shine. Which, for reasons best known to herself, she had chosen to spurn.

Now don’t get me wrong, I can handle rejection. It has been the fabric of my very existence since I told Helena Bonham-Carter’s sister I had all my own teeth and hair in an introductory email. However, I’m super-sagacious these days. I had deliberately chosen to ignore her rather pneumatic avatar in favour of what I considered a more mature approach to online platonic relationships. That somehow, in the vein of Pretty Woman, she could have been persuaded to take the straight and narrow path. But it was not to be. To say nothing of any potential misinterpretation of my intentions. So now I find myself with a mere 33 followers and yes, I’m bloody spewing. Although ViaFlowers11 is looking promising, despite the cost of the visa.

Idle Eye 148 : The Eisenhower Matrix

It’s harder than you think, being your own boss. Try it sometime and see for yourselves. Traditionally I have been pathetic at organising my day, which is why I usually get other people to do it for me and hopefully throw in a few quid at the same time. But right now, I’m out of the plane without a chute and unless I sort something out pretty quick, I’ll be land pizza before you know it. There are, however, little tricks you can employ to create the illusion of structure, some of which I shall outline below for anyone in the same predicament:

1)  The old ‘leaving the flat’ ruse is a bit of fun – Get dressed in a hurry, swig down a mouthful of instant coffee (leaving the rest) and, if you’re feeling bold, give yourself a quick peck on the cheek. Then walk around the block a couple of times and come back in, panting and complaining bitterly about the inefficiency of whichever rail network you weren’t on.

2)  Create a few formal breaks. These will prevent you from atrophying at the computer and provide the added bonus of allowing you to catch up with all the latest gossip. It’s important to stay in the loop.

3)  The Reward System, albeit rather primitive, is a great incentiviser. That call you made to Virgin Media Customer Services took a while, right? Have a sweetie. Made it through thirty emails about erectile dysfunction and/or PPI? Have another sweetie. Anything whatsoever to do with the Inland Revenue or TfL? Crack open a bottle of single vineyard Central Otago Pinot Noir. Actually, make that two.

4)  Stay focused. Tempting though it may be to stray with another episode of Inside Health and discover you’ve probably got shingles/leg ulcers/something irritable going on with your bowel, you’ll only spend the rest of the day on the med sites and give yourself PTSD to boot.

5)  Draw the curtains. Because the people you can see outside are almost certainly having more fun than you, will be rich in Vitamin D and couldn’t give a monkey’s that your delete key has packed up again. For them, life is one big picnic. For you, it’s an eternal game of chess. Against Magnus Carlsen.

6)  Nothing of interest will come through your letterbox and no-one of interest will ring the doorbell. Ever. Hold your nerve.

7)  Facebook and Twitter are not your friends. They are the Trojan horses of the internet, willingly invited into the workplace where they bed in and beckon, stealing your time and reason. Like Mata Hari. With cats and babies.

After these, you’ll need an endpoint. Something to neurotransmit a strong signal to the brain, telling it to pack in the chores and loosen up a little. Sex, recreational drugs, alcohol and repetitive pop tunes have always been popular with the young, but if, like me, you find yourself in your twilight years, The Archers seems to work okay. In conjunction with the above.

Idle Eye 147 : The Ant

People say that your world shrinks or expands in direct parallel with your immediate environment. If you so happen to be the Foreign Policy Minister of a suitably distressed nation, your brushstrokes will, by default, be rather broad. If, however, you are housebound for whatever reason, the tiniest of details can get magnified beyond all recognition, often becoming the primary focus of your day. And ever since I decided to seismically alter my own life parameters by switching an active job for one that ties me to the computer, my home kitchen has become an exotic new tundra, populated by minuscule, indigenous creatures with whom I must learn to cohabit. My favourite being the common ant, three of which I have become quite fond.

It starts at lunchtime. The minute that multipack of American-style bagels is in town, Dominic and Samantha get active (yes, they have names), darting up to and away from the chopping board without so much as a by-your-leave. They do get on my tits a bit, so I have developed an early warning system, whereby I knock several times on the worksurface and usually they get the message. Obama, on the other hand, does not. His remit is to push the envelope, which invariably he does by hopping up to the cucumber slices and flicking me a V. Fair enough, but I most certainly would not care for him to end his days in my sandwich. So I have words. Stern ones.

A grown man reprimanding a single ant for insubordination must appear somewhat irregular to the uninitiated. But rules are rules, no matter how diverse the cultural boundaries, and Obama would do well to take them on board. Being a big softie, I tend to let him off on the proviso he doesn’t nose-dive into the coleslaw. Because then I’d just get plain ugly. As well he knows.

Yesterday though, he pushed me too far. I had torn off the Marigolds and set them down by the sink. It’s my way of saying ‘in a few seconds I’m coming through with a J-Cloth. Steer clear.’ Dom and Sam totally got it as per, but Obama took umbrage and stood his ground. How exactly do you alert an over-cocky formicidae to the real and present danger? That with one brutal left swipe, I could create more havoc for the little shit than Hurricane Katrina or that big tsunami a while back, without batting an eyelid? Even the clattering of expensive Japanese knives and the sonic deterrent that is Milton Jones on Radio 4 did nothing to stem his tenacity. So I flipped. Crouching down so that our eyes were level, I blew him straight into the washing up bowl. And then apologised profusely.

There’s been no sign of him today. He’s definitely not dead, because I rescued him with a spatula and dried him down with kitchen paper. Probably sulking with Dom and Sam, I’d imagine. But we’ll work something out.